A fresh take on the history of art, using cultural timelines to reveal little-known connections and influences between artworks and artistic movements Most surveys of the history of art are divided into historic periods, artistic schools, and movements. In reality, movements and artists’ careers overlap and intertwine, reacting to events in the world around them. By prioritizin...(展开全部)

The critique of modernist ideology from France’s leading radical theorist Time is more than a line drawn from the past to the future. It is a form of life, marked by the ancient hierarchy between those who have time and those who do not. This hierarchy still governs a present which clings to the fable of historical necessity and its experts. In opposition to this, Jacques Ranci...(展开全部)

The critique of modernist ideology from France’s leading radical theorist Time is more than a line drawn from the past to the future. It is a form of life, marked by the ancient hierarchy between those who have time and those who do not. This hierarchy still governs a present which clings to the fable of historical necessity and its experts. In opposition to this, Jacques Ranci...(展开全部)

Vittorio Morfino, Ph.D. (1998), University of Paris VIII Saint Denis, is a Senior Researcher in the History of Philosophy at the Università di Milano-Bicocca. He is the author of Plural temporality: Transindividuality and the aleatory between Spinoza and Althusser (Brill, 2014) and Genealogia di un pregiudizio: L’immagine di Spinoza in Germania da Leibniz a Marx (Georg Olms Ver...(展开全部)

Vittorio Morfino, Ph.D. (1998), University of Paris VIII Saint Denis, is a Senior Researcher in the History of Philosophy at the Università di Milano-Bicocca. He is the author of Plural temporality: Transindividuality and the aleatory between Spinoza and Althusser (Brill, 2014) and Genealogia di un pregiudizio: L’immagine di Spinoza in Germania da Leibniz a Marx (Georg Olms Ver...(展开全部)

The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman’s extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to understand the “life” of images. Drawing on a wide range of Warburg’s unpublished le...(展开全部)

The Surviving Image, originally published in French in 2002, is the result of Georges Didi-Huberman’s extensive research into the life and work of foundational art historian Aby Warburg. Warburg envisioned an art history that engaged with anthropology, psychoanalysis, and philosophy in order to understand the “life” of images. Drawing on a wide range of Warburg’s unpublished le...(展开全部)